Portrait Study

"Portrait Study"
7x7 oil on Masonite

Carol Horzempa

This is my contribution to the year-end portrait swap on Karin Jurick's Different Strokes from Different Folks blog. Thanks to Karin Jurick this has been a great year of challenges for fellow artist.

I had a lot of fun with this challenge and tried not to labor over getting a perfect likeness. My main goal was to keep it fresh and try to capture this artist's spirit. This study was painted with Raw Sienna and a touch of Ultramarine Blue on a gessoed masonite panel.

I think I know who this artist is and had a great photo to work from. He will be doing my portrait in exchange and I can't wait to see it.

Going Forward

"Going Forward"
8x8 oil on Masonite
Carol Horzempa
NFS

I decided to take my time with Karin Jurick’s Different Strokes From Different Folks challenge. I focused on the perspective, values and painting “just what you see” like Karin suggested. I used just three colors, Winsor Newton Cadmium Red, Rembrandt Yellow Ochre Light and Ultramarine Deep, plus Utrecht Titanium White.

Using a ruler with a small brush and thin wash for the lines made it easier for me to get the figures drawn in the right places. This was a slow process but with a lot of checking proportions, measuring one shape against another and correcting the values every so often, I was pleased to see that my figures started to look believable.

Someday I must make a goal for myself to do these challenges with less brushstrokes, limit my time spent and not get caught up in the detail. Aside from that I feel I learned a lot from this challenge and am quite pleased with my results. Be sure to check all the amazing submissions on the 52nd-54th week challenge on DSFDF blog.

Update: I've had this blog since the first of the year and participated in DSFDF challenges each month since. Thanks to the dedication of Karin Jurick and all her hard work on her DSFDF blog, she has made it possible for artists near and far to connect and be challenged.It has been a humbling experience to receive so many encouraging comments on my work from artist whom I admire and respect. Thank you so much!

Ductwork Blues

"Ductwork Blues" 
 4.5x5 oil on Masonite
Carol Horzempa

When I first saw Karin Jurick's posting of her photo of San Francisco rooftops for the DSFDF challenge I was intimidated by the jungle of rooftop ductwork. I'm glad I decided to try the challenge anyway. I found as I got into the painting that the abstract shapes and cast shadow along with pushing the colors kept my interest and was more fun to paint than I expected.

Wait, Hold the Sprinkles!

"Wait, Hold the Sprinkles!" 
5.5x10 oil on canvas
Carol Horzempa
NFS

I hate sprinkles! I can't think of anything worse than biting into a soft, delicious cupcake piled with sweet fluffy frosting and then biting into hard crunchy sprinkles to spoil the whole experience.

In Karin Jurick's DSFDF challenge she included a video of Wayne Thiebaud. I was fortunate enough to see a Thiebaud exhibit years ago and fell in love with his paintings of common foods and cityscapes. What an amazing artist, he is 87 years old and still paints every day!

In this challenge I used Classic Artist Oils that has linseed oil mixed in with thickeners which has the consistency of butter. I've only used these paints once before years ago and thought it would be perfect for this challenge especially the frosting. I ended up using my palette knife and applying the paint like I would as if frosting a cupcake along with some brushwork. I was almost tempted to lick my fingers.

Walkin' the Dog

"Walkin' the Dog" 
5.x7.25 oil on canvas
Carol Horzempa

NFS

This is my interpretation of Karin Jurick’s DSFDF challenge. I took the liberty of cropping Karin’s reference photo again. I added the girl who is supposed to be me (like about 20 years younger) walking Shawna.

I experimented with a textured surface made from priming a canvas panel with Utrecht Oil Priming White. I love this surface to paint on since it doesn’t absorb the paint like water base gesso does and I like how my brush glides across the oil base surface making it easier to control. I am also pleased with the fact that my paint stayed fresh and didn’t become dull as it dried.

Georgia Man

"Georgia Man" 

6x8 oil on canvas

Carol Horzempa

In Karin Jurick’s latest DSFDF challenge, she posted a reference photo of a man at the Perry, Georgia State Fair. I chose to crop the photo to what interested me the most and also decided to set a limit on my painting time. Testing myself to see how fast I could paint this challenge, I surprised myself by finishing this portrait in 2 1/2 hours. I have a habit of measuring distance between shapes with the handle of my paintbrush and thumb which really speeds the process and something Karin suggested on this challenge.

I painted over a bright orange acrylic undertone, which can be seen poking through throughout the painting. I used a touch of my favorite Rembrandt Transparent Oxide Red in the skin tones along with a mixture of Cadmium Red, Cadmium Yellow Medium, and Cobalt Blue plus Titanium White.

There are several things I could have changed to get it “just right” but this time I decided to leave it and shoot for speed and fresh brushstrokes. I think this was the most fun I had of all Karin's challenges!

UPDATE: I just reread Karin's instructions and realize the focus of this challenge was suppose to be on the whole figure...oops!

Day Watch

"Day Watch" 
 6.5 x 9 oil on canvas
Carol Horzempa

This is my submission for the DSFDF challenge. Karin Jurick posted a reference photo of what seems to be a lifeguard on duty in a rowboat on a Lake Michigan beach.

This was by far the hardest challenge for me so far. I enjoyed painting the figure and boat but the water, which I thought would be the easiest part turned out to be my biggest challenge. I learned a lot though and would like to try painting a boat scene again.

Vegetable Medley

"Vegetable Medley" 
6x8 oil on canvas
NFS

This painting is my interpretation of Karin Jurick’s reference photo for the DSFDF challenge. I haven’t been working in oils for several months since I got sidetracked with pastels. It was hard getting back to oil painting and after several tries I decided to try again on canvas instead of a gessoed panel. I also was surprised to find that I didn’t forget how to paint and actually enjoyed this challenge!

Pennsylvania Landscape

"Pennsylvania Landscape"

pastel on sabretooth sandpaper
9x5
NFS

I can’t believe I’m still doing pastels! For days I kept seeing Karin Jurick’s black and white photo of a Pennsylvania landscape in colorful pastels. I found an old sheet of sandpaper for pastels that was laying in a drawer for at least 15 years so I decided to put it to good use. I also took liberty in cropping the photo drastically so I could concentrate on the trees and fields.

For Karin's DSFDF Challenge I understand we were to “invent colors” and “pay attention to how those colors marry with each other.” After poring over my favorite Kevin Macpherson’s book on Landscape Painting – Inside & Out, I found myself using colors I never would have considered. After I had the values down I put the book and photo away.


I really had fun inventing colors and drawing on my memory of Wisconsin landscapes I see so often while driving through the countryside. Even though my colors are not characteristic of Pennsylvania farmland and look more like the southwest I feel I learned a lot from this challenge.

Morning Rush Hour

"Morning Rush Hour"
pastel on paper
7.5x10.5

I decided to do Karin Jurick's latest DSFDF challenge in soft pastel on Canson MI-Teintes pastel paper. Cityscapes are a real stretch for me, especially doing tall buildings in soft pastel. I almost gave up until I started working on the traffic and taxis...my first attempt at drawing cars. I tried to get the feeling of depth with my values. I had a little fun with the people mixed in with traffic and all the spots of color and shapes fading off into the distant.


I used pastel pencils for some of the detail and Rembrandt and Schmincke soft pastels for every thing else. I will definitely be looking forward to getting back to oils in my next challenge!

Diana's Love for Her Hound

"Diana's Love for Her Hound"
     pastel drawing on paper
                  NFS

This is my submission for Karin Jurick’s DSFDF Challenge. We were asked to draw or paint an entire marble sculpture of goddess Diana and her hound. I decided to put away my paints for a while and work on my drawing skills. Karin suggested taking our time working on the three dimensional qualities, details, weight and elegance of the sculpture. My focus was also to capture Diana's loving gaze at her hound as he licked her thigh.

After reams of practice drawings with vine charcoal, one even upside down and backwards, I finally felt confident enough for the final drawing without having to use a grid. The drawing was sketchy so I could correct as I went along, while continuing to work on values, form, and edges at the same time.

I decided to do my drawing on Canson Mi-Teintes pastel paper using the smooth side. I used Stabilo CarbOthello Pastel Pencils that are soft enough for glazing and firm enough to sharpen in an electric pencil sharpener to keep their points sharp for detail.

My experience of working in hard and soft pastel years ago while studying under the guidance of the late James C. Prohl, classical realist painter and teacher has been a big help in this challenge. I never thought I could go back to doing such detailed work again or even have the patience. Thanks to Karin Jurick, she has again come up with a great challenge that stretches my skill further than I thought I could go. Be sure too check the Different Strokes from Different Folks blog for the many wonderful versions of Diana and her hound.

Sandpiper Watching

"Sandpiper Watching"

6x8 oil on wood panel

I'm in the middle of packing for a vacation down south to Florida. I decided to take time out and see if I could do a seascape from Karin Juirick's photo in the DSFDF Challenge. This is a bit of a stretch for me since I rarely paint figures in my oil paintings or the seashore. Now I can’t wait to do some plain air painting down in the Florida Keys.

This the most fun I had in Karin’s challenge because I loved painting with a beautiful tube of Winsor & Newton Manganese Blue Hue oil paint which hadn't been opened in years. I also realized that the little girl who I made to look younger started looking more and more like my daughter Carrie when she was a child.

Now back to packing for a couple weeks of lying on the beach in the sun and a littler sandpiper watching after a long cold winter. Maybe I will even get a chance to paint some seascapes!

That Darn Cat!

"That Darn Cat"

oil on canvas

This is my contribution to Karin Jurick’s DSFDF Challenge. Sometimes I like to tell a story with my paintings. Karin strongly suggested that we follow our intuitions on this challenge so I allowed my illustration background to come though on this project.

This is what I imagine would happen if I put a dish of sushi with crabmeat and soy sauce on my kitchen counter. My "counter kitty" Dorie loves anything with fish and I recently found out she likes soy sauce too.

The hardest thing to paint was her tongue licking up soy sauce and getting the right color. I found an old tube of Rose Madder made just the right pink I was looking for. Now I think it would be fun to paint Dorie licking up milk.

Main Street Wigs

"Main Street Wigs"
6x7.5 oil on canvas

This is my contribution to this weeks Different Strokes from Different Folks challenge. Karin Jurick submitted a photo for artist to paint their interpretation of an array of mannequins wearing wigs. I was really intimidated by so many mannequins at first and almost decided to skip this challenge. Then I was inspired by a little shop with a colorful awning on Main St. in Waukesha Wisconsin and decided to incorporate the mannequins in the shop window. As I got further along I was wishing I had planned a larger format so I could paint more details of the mannequins. This ended up being a really fun project to work on. Thanks again to Karin Jurick for all her hard work and dedication even during a frustrating eight days of being without the Internet.

I had a problem getting the colors in the photo of my painting close to the original painting but thanks to my daughter Carrie Griesmer she did a nice job of color correcting. It is very close to a perfect likeness of my painting. Check her blog, she has "how to" instructions on correcting photos in Adobe Photoshop.

San Francisco Victorian

"San Francisco Victorian"

oil on canvas

This is my submission for Karin Jurick’s DSFDF Challenge. What a challenge this was, but I did have fun painting the sky and windows. I might try painting architecture again but not three story buildings.

Listening to Jefferson

"Listening to Jefferson"

oil on canvas

This is my submission for Karin Jurick’s photo of the Jefferson Memorial in the DSFDF challenge. I took liberty in cropping the photo to an extreme. The photo was so fuzzy after enlarging this one little area that the streetlight looked more like a moon over the horizon. The crooked tree leaning toward the Jefferson Monument and the bright streetlight illuminating the area really intrigued me. I especially enjoyed painting this night scene because I was able to use an old tube of Indigo Blue I never used before and discovered it is a good color for painting dark areas and mixing grays.

Shawna

"Shawna"

oil on canvas

This painting was my first submission for Karin Jurick's biweekly challenge on Different Strokes from Different Folks Dec. 3, 2008. In this challenge we were asked to paint our interpretation of a photo of Karin's work boots. I wasn't planning to enter the challenge but I kept seeing a painting of my Gordon Setter Shawna curled up next to Karin's boots. I barely finished my painting before the deadline. Since then I decided it needed to be developed further so I included more of Shawna in the painting as you can see.

This sweetheart of a dog was rescued from a shelter and was only hours from being put down. Shawna was a year old when we adopted her and has been part of our family for 8 years. She still looks and acts like a pup except for her graying muzzle, which I love to paint. You will be seeing more of her I’m sure, since she is a great model in front of my camera.

Portrait of Vicki

"Portrait of Vicki"

     oil on canvas

             Sold

This is my portrait for Karin Jurick's portrait swap challenge Different Strokes for Different Folks. We were paired with other artists to paint each other's portrait from a photo. Check out Karin's blog to view all of the "challenge" paintings.