In Memory of Holly

"In Memory of Holly"
6x7 oil on canvas

Carol Horzempa
NFS

This little Border Terrier will be truly missed by my sister. Below is a poem she has written that best described her little companion that kept her company for the past 10 years.

"Holly"

So cute you are little Border Terrier

Whether closely shorn or hairier

Rain, snow, sleet; no matter what pours

Kin from Northumberland's harsh shores

My life you fill with joy and hearty laughs

In the house; teasing, kissing, snuggling naps

Out the door; a wild predator, oh so fun

Chasing squirrels, rabbits, bugs in the sun

Roll over tricks for a doggie bone

You keep me young and not alone

You take me places I would never go

Dog companion, sniffing weeds, exploring a hole

For this little pet thank you God; I do

She depends on me for everything, and I on You

By Elaine Schneider

Great-Grandmother

"Great-Grandmother"
12x14 Conte Crayon on paper

Carol Horzempa
NFS

Thirteen years ago I did this portrait of my mother-in-law Estelle meeting her first great-grandchild, Casey Ray. It was a moment in time that I was able to capture with my camera and later as a drawing with Conte Crayon on Bienfang paper. Casey of course is a teenager now. You can see a painting of him titled "13" done by his mom (my daughter) on her blog.

Estelle is ninety-six years young now and is able to remain independent in her own home with the help of family members taking care of her needs.

This is going to be a busy year for me but I hope to focus on doing more portraits in the near future.

Portrait Study

"Portrait Study"
7x7 oil on Masonite

Carol Horzempa

This is my contribution to the year-end portrait swap on Karin Jurick's Different Strokes from Different Folks blog. Thanks to Karin Jurick this has been a great year of challenges for fellow artist.

I had a lot of fun with this challenge and tried not to labor over getting a perfect likeness. My main goal was to keep it fresh and try to capture this artist's spirit. This study was painted with Raw Sienna and a touch of Ultramarine Blue on a gessoed masonite panel.

I think I know who this artist is and had a great photo to work from. He will be doing my portrait in exchange and I can't wait to see it.

Going Forward

"Going Forward"
8x8 oil on Masonite
Carol Horzempa
NFS

I decided to take my time with Karin Jurick’s Different Strokes From Different Folks challenge. I focused on the perspective, values and painting “just what you see” like Karin suggested. I used just three colors, Winsor Newton Cadmium Red, Rembrandt Yellow Ochre Light and Ultramarine Deep, plus Utrecht Titanium White.

Using a ruler with a small brush and thin wash for the lines made it easier for me to get the figures drawn in the right places. This was a slow process but with a lot of checking proportions, measuring one shape against another and correcting the values every so often, I was pleased to see that my figures started to look believable.

Someday I must make a goal for myself to do these challenges with less brushstrokes, limit my time spent and not get caught up in the detail. Aside from that I feel I learned a lot from this challenge and am quite pleased with my results. Be sure to check all the amazing submissions on the 52nd-54th week challenge on DSFDF blog.

Update: I've had this blog since the first of the year and participated in DSFDF challenges each month since. Thanks to the dedication of Karin Jurick and all her hard work on her DSFDF blog, she has made it possible for artists near and far to connect and be challenged.It has been a humbling experience to receive so many encouraging comments on my work from artist whom I admire and respect. Thank you so much!

Ductwork Blues

"Ductwork Blues" 
 4.5x5 oil on Masonite
Carol Horzempa

When I first saw Karin Jurick's posting of her photo of San Francisco rooftops for the DSFDF challenge I was intimidated by the jungle of rooftop ductwork. I'm glad I decided to try the challenge anyway. I found as I got into the painting that the abstract shapes and cast shadow along with pushing the colors kept my interest and was more fun to paint than I expected.

Pear Studies

"Pear Studies" 
4x8 oil on canvas
Carol Horzempa

My favorite subject is the still life, especially studies of fruit. I've been away from my studio way too long so I decided to do a couple small studies of a pear. I find myself returning to fruit studies when I feel a bit rusty and need to get my creative juices flowing

Trying to Paint Plein Aire

Carrie, Shawna & Gypsy

My daughter Carrie and I went plain aire painting today. Now that the the fall colors are starting to show, it is a great time to find exciting landscapes. I am such a novice at this and thought an overcast day would be easier than trying to chase the light and shadow on a sunny day. Well my painting turned to mud but my daughter came away

with a beautiful painting! She is such a natural at this!

The day wasn't a complete waste for me, I found a great place to go mushrooming next fall and my spouse filled his trailer full of oak logs for burning this winter. So today was a great day!

My Mud Painting

I am surprised the colors look so drab now that I'm back in my studio. My main focus was to try and match the colors. I have much to learn about plein aire painting! Be sure to check Carrie's painting on her blog, her colors are awesome!

Wait, Hold the Sprinkles!

"Wait, Hold the Sprinkles!" 
5.5x10 oil on canvas
Carol Horzempa
NFS

I hate sprinkles! I can't think of anything worse than biting into a soft, delicious cupcake piled with sweet fluffy frosting and then biting into hard crunchy sprinkles to spoil the whole experience.

In Karin Jurick's DSFDF challenge she included a video of Wayne Thiebaud. I was fortunate enough to see a Thiebaud exhibit years ago and fell in love with his paintings of common foods and cityscapes. What an amazing artist, he is 87 years old and still paints every day!

In this challenge I used Classic Artist Oils that has linseed oil mixed in with thickeners which has the consistency of butter. I've only used these paints once before years ago and thought it would be perfect for this challenge especially the frosting. I ended up using my palette knife and applying the paint like I would as if frosting a cupcake along with some brushwork. I was almost tempted to lick my fingers.

Bay Furnace Beach

"Furnace Bay" 
 4x7 oil canvas
Carol Horzempa

Earlier this month I went camping with my family on Lake Superior near Pictured Rocks in Upper Michigan. We were lucky enough get a lakefront campsite at Bay Furnace National Forest Campground. This is a painting of the shoreline in front of our campsite on a foggy morning. I hope to post a better photo of this painting soon since the colors are a bit off.

Walkin' the Dog

"Walkin' the Dog" 
5.x7.25 oil on canvas
Carol Horzempa

NFS

This is my interpretation of Karin Jurick’s DSFDF challenge. I took the liberty of cropping Karin’s reference photo again. I added the girl who is supposed to be me (like about 20 years younger) walking Shawna.

I experimented with a textured surface made from priming a canvas panel with Utrecht Oil Priming White. I love this surface to paint on since it doesn’t absorb the paint like water base gesso does and I like how my brush glides across the oil base surface making it easier to control. I am also pleased with the fact that my paint stayed fresh and didn’t become dull as it dried.

Georgia Man

"Georgia Man" 

6x8 oil on canvas

Carol Horzempa

In Karin Jurick’s latest DSFDF challenge, she posted a reference photo of a man at the Perry, Georgia State Fair. I chose to crop the photo to what interested me the most and also decided to set a limit on my painting time. Testing myself to see how fast I could paint this challenge, I surprised myself by finishing this portrait in 2 1/2 hours. I have a habit of measuring distance between shapes with the handle of my paintbrush and thumb which really speeds the process and something Karin suggested on this challenge.

I painted over a bright orange acrylic undertone, which can be seen poking through throughout the painting. I used a touch of my favorite Rembrandt Transparent Oxide Red in the skin tones along with a mixture of Cadmium Red, Cadmium Yellow Medium, and Cobalt Blue plus Titanium White.

There are several things I could have changed to get it “just right” but this time I decided to leave it and shoot for speed and fresh brushstrokes. I think this was the most fun I had of all Karin's challenges!

UPDATE: I just reread Karin's instructions and realize the focus of this challenge was suppose to be on the whole figure...oops!

Day Watch

"Day Watch" 
 6.5 x 9 oil on canvas
Carol Horzempa

This is my submission for the DSFDF challenge. Karin Jurick posted a reference photo of what seems to be a lifeguard on duty in a rowboat on a Lake Michigan beach.

This was by far the hardest challenge for me so far. I enjoyed painting the figure and boat but the water, which I thought would be the easiest part turned out to be my biggest challenge. I learned a lot though and would like to try painting a boat scene again.

Gatekeeper

"Gatekeeper"
oil on canvas
5.5X6.75
Sold

I planted these peonies next to my gate years ago for the main purpose of painting them someday. They don’t get much sun so they are very tall reaching every which way for the sun and practically blocking entrance to the gate. I am sure glad I took photos of them before a hailstorm. Now with the sweltering heat the poor things are faded and drooping over.

I made one attempt years ago to paint these flowers and so this is my second try. I think painting flowers has got to be the biggest challenge for me so far but I did enjoy painting the pickets on the gate.

After spending way to much time on this one, I kept wondering if it pays to work on a painting that seems doomed for the reject pile. This morning I decided to give it one more try with a fresh eye. I realized it only need a little tweaking and then called it finished. I’m hoping that I can apply what I learned and paint more someday.

Vegetable Medley

"Vegetable Medley" 
6x8 oil on canvas
NFS

This painting is my interpretation of Karin Jurick’s reference photo for the DSFDF challenge. I haven’t been working in oils for several months since I got sidetracked with pastels. It was hard getting back to oil painting and after several tries I decided to try again on canvas instead of a gessoed panel. I also was surprised to find that I didn’t forget how to paint and actually enjoyed this challenge!

Pennsylvania Landscape

"Pennsylvania Landscape"

pastel on sabretooth sandpaper
9x5
NFS

I can’t believe I’m still doing pastels! For days I kept seeing Karin Jurick’s black and white photo of a Pennsylvania landscape in colorful pastels. I found an old sheet of sandpaper for pastels that was laying in a drawer for at least 15 years so I decided to put it to good use. I also took liberty in cropping the photo drastically so I could concentrate on the trees and fields.

For Karin's DSFDF Challenge I understand we were to “invent colors” and “pay attention to how those colors marry with each other.” After poring over my favorite Kevin Macpherson’s book on Landscape Painting – Inside & Out, I found myself using colors I never would have considered. After I had the values down I put the book and photo away.


I really had fun inventing colors and drawing on my memory of Wisconsin landscapes I see so often while driving through the countryside. Even though my colors are not characteristic of Pennsylvania farmland and look more like the southwest I feel I learned a lot from this challenge.

Morning Rush Hour

"Morning Rush Hour"
pastel on paper
7.5x10.5

I decided to do Karin Jurick's latest DSFDF challenge in soft pastel on Canson MI-Teintes pastel paper. Cityscapes are a real stretch for me, especially doing tall buildings in soft pastel. I almost gave up until I started working on the traffic and taxis...my first attempt at drawing cars. I tried to get the feeling of depth with my values. I had a little fun with the people mixed in with traffic and all the spots of color and shapes fading off into the distant.


I used pastel pencils for some of the detail and Rembrandt and Schmincke soft pastels for every thing else. I will definitely be looking forward to getting back to oils in my next challenge!

Diana's Love for Her Hound

"Diana's Love for Her Hound"
     pastel drawing on paper
                  NFS

This is my submission for Karin Jurick’s DSFDF Challenge. We were asked to draw or paint an entire marble sculpture of goddess Diana and her hound. I decided to put away my paints for a while and work on my drawing skills. Karin suggested taking our time working on the three dimensional qualities, details, weight and elegance of the sculpture. My focus was also to capture Diana's loving gaze at her hound as he licked her thigh.

After reams of practice drawings with vine charcoal, one even upside down and backwards, I finally felt confident enough for the final drawing without having to use a grid. The drawing was sketchy so I could correct as I went along, while continuing to work on values, form, and edges at the same time.

I decided to do my drawing on Canson Mi-Teintes pastel paper using the smooth side. I used Stabilo CarbOthello Pastel Pencils that are soft enough for glazing and firm enough to sharpen in an electric pencil sharpener to keep their points sharp for detail.

My experience of working in hard and soft pastel years ago while studying under the guidance of the late James C. Prohl, classical realist painter and teacher has been a big help in this challenge. I never thought I could go back to doing such detailed work again or even have the patience. Thanks to Karin Jurick, she has again come up with a great challenge that stretches my skill further than I thought I could go. Be sure too check the Different Strokes from Different Folks blog for the many wonderful versions of Diana and her hound.

Drawing of Cole

Graphite on Strathmore paper 

4x5

Last night I decided to see how long it would take to draw this darling boy named Cole. I used the photo from James Parker's "Window to the Words" blog. Check his blog here, he posted this one on the first of the month and artists have the whole month to submit a painting or drawing. I'm not sure yet if I will work this up into a painting and submit it to his blog...I just wanted to test myself to see how long it would take me to draw it.

I am realizing now why it takes me so long to paint. Not only is it a challenge for me to mix the right colors as I start a painting but getting a good drawing down with correct proportions is important too. The only way I can achieve this is to draw daily even if it's only a 5 minute sketch. It took me over an hour to do this...I hope I can speed up and improve more on my proportions as I keep drawing daily.

Back to Drawing

I decided to take the advice Karen Jurick gave on her Different Strokes from Different Folks blog. She said, “For anyone out there who wants to to be a better painter - it has to start with being a good drawer.” So that is what I have been doing...struggling with my drawing of a marble sculpture and sketching whenever I can.

These sketches were done in my Strathmore 6.25 x 8.5 sketchpad. I used PITT Graphite Pure pencils by Faber-Castell. I really love these pencils because they are solid graphite, no wood but they can break if you drop them on a hard surface. You can get some nice darks with the 2 and 3 B but I used mostly the HB on these two sketches. This is a good time of the year to draw trees here in Wisconsin, they are just starting to bud.The 2nd sketch is Dick, my better half who is always a willing subject while watching cable news in the evening.

A Passion for Painting Award

Now that I’m back from Florida’s sun and sandy beaches, I’m ready to start painting again. First though I want to thank Ann Marie Propts who passed this “Passion for Painting Award” on to me while I was gone. Ann Marie has some wonderful paintings of pets, people and cityscapes that are fresh and alive with color so be sure to check them out on her blog and also her latest submission to DSFDF.

Rules are as follows:

List seven things that you love
Put a link to the artist who tagged you for this honor
Pass the honor on to seven artists you feel should receive the recognition
Let them know they received this award

Seven things I LOVE (in no particular order)

- Four legged pals; Kiki, Dorie, & Shawna
- Two legged ones; spouse, kids, grandkids & my sibs of course
- Wisconsin Swiss Cheese (okay, so I’m a cheese head)
- My pochade box (skillfully crafted by spouse)
- Painting and thinking about painting
- Swimming in Lake Superior on hot summer days
- Omanhene Hot Cocoa on cold winter nights

Here is my list of artists I follow that have been a real source of inspiration to me in their work habits, level of skill and passion they show in their paintings.

Frank A. Edwards
Holly Zemak
Becky Joy
Cathleen Rehfeld
Dana Cooper
Todd Smith
Charlene Brown